Siddhartha  |
| Herman Hesse (1877 - 1962) |
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| Tess of the D'Urbervilles |
| Thomas Hardy (1840 - 1928) |
The novel tells the story of Tess whose fate is changed when her ne'er-do-well father tries to improve the family fortune via a misguided association with a local well to do family. Hardy's writing produces such empathy for Tess that one is compelled to continue reading even though it is unbearable to imagine where the story will go. |
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| The Forbidden Gospels and Epistles |
| Archbishop Wake (1657 - 1737) |
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| The Lifted Veil |
| George Eliot (1819 - 1880) |
This novella, first published in 1859 is unlike the realistic fiction for which Eliot is best known, The Lifted Veil explores of extrasensory perception, the essence of physical life, possible life after death, and the power of fate. The novella is a significant part of the Victorian tradition of horror fiction, which includes Mary Shelley's Frankenstein, Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde (1886), and Bram Stoker's Dracula (1897). |
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| The Return of Sherlock Holmes |
| Arthur Conan Doyle (1859 - 1930) |
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| The Sorrows of Young Werther |
| Johann Wolfgang von Goethe (1749 - 1832) |
This was Goethe's first major success, though it also lead to some difficulties. It started "Werther Fever"; some young men so identified with Werther that that they began dress like him. It also lead to more than 2,000 copycat suicides. The problem became so concerning to the authorities that a rival 'happy ending' was published by Friedrich Nicolai, another author. Goethe was incensed and published a poem in which Nicolai defecates on Werther's grave, starting a literary war that lasted all his life. |
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| The Turn of the Screw |
| Henry James (1843 - 1916) |
The work opens with an unnamed narrator listening to the reading of a manuscript written many years ago by a now dead young governess. The governess relates that soon after arriving to work in the house she learns that her predecessor had died under mysterious circumstances. As the tale unfolds the reader has room to doubt the reality of the evil that the governess feels is approaching. |
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