Lewis Shiner is a two-time finalist for the Nebula (Frontera, Deserted Cities of the Heart), a finalist for the Philip K. Dick (Frontera), and won the World Fantasy award for Glimpses.

Lewis has released the first three chapters of Deserted Cities of the Heart. The novel begins in contemporary Mexico where Rolling Stone reporter John Carmichael has been drawn in his search of news ... This taste will leave you wanting more...

"The book is titled Blind Shrike. It's not a rotten book, I think. In fact, it's a pretty traditional fantasy quest, just one that, to me, makes sense in George W. Bush's America. The hero of the story is on a quest for his own lost ignorance and innocence. He really doesn't want to know too much because, as many of us have learned, too much information is a soul-sucking pain in the ass. In the book you'll also find magic and monsters, angels and demons, magical swords and forbidden books. And blimps. Every fantasy novel should have at least one blimp." -- Richard Kadrey

"There has never been a time in history when more of our 'culture' was as 'owned' as it is now. And yet there has never been a time when the concentration of power to control the uses of culture has been as unquestioningly accepted as it is now." -- Free Culture

"It's never too late to try a little common sense, Lessig says. It's only one of the things that makes him such an unusual law professor -- and such an important voice in the ongoing copyright wars." -- John Schwartz for AMERICAN LAWYER

Lessig's "Code and Other Laws of Cyberspace" was published in 1999. The book quickly began to define a certain vocabulary for thinking about the regulation of cyberspace. More than any other social space, cyberspace would be controlled or not depending upon the architecture, or "code," of that space. And that meant regulators, and those seeking to protect cyberspace from at least some forms of regulation, needed to focus not just upon the work of legislators, but also the work of technologists.

Code v2 updates the original work. It is not, as Lessig writes in the preface, a "new work." Written in part collectively, through a Wiki hosted by JotSpot, the aim of the update was to recast the argument in the current context, and to clarify the argument where necessary.

Mac Tonnies' Cyberpunk/Postmodern Book Reviews calls Metrophage "one of the quintessential 1980s cyberpunk novels," going on to describe "a gritty acid-trip through an ultraviolent L.A. where nothing is what it seems.... Alongside novels such as [William Gibson's] Neuromancer and Lewis Shiner's debut novel Frontera, Metrophage helped establish the cyberpunk aesthetic: relentless, paranoid and playfully cynical."

"No one has taken this premise to such pitiless lengths - and depths - as Watts ... In a claustrophobic setting enlivened by periodic flashes of beauty and terror, the crew of Beebe Station come across as not only believable but likeable as they fight for equilibrium against their own demons, one another, their superiors and their remorselessly hostile surroundings."

- The New York Times (Notable Book of the Year)

"The story drives like a futuristic locomotive. It's a hypnotic read, somber and compelling. Best thing I've read in a long time. Peter Watts is an author to watch for."

- Robert Sheckley