Little Dorrit |
Charles Dickens (1812 - 1870) |
The writings of Charles Dickens were often critical of society and government. This satire, Little Dorrit was also an outlet for Dickens' opinion of prison, particularly debtor's prisons. There people (including Dickens' own) who failed to pay their debts were imprisoned, paradoxically unable to work, until the debt was repaid. The story of Little Dorrit (whose father is imprisoned for debt) tells of the courtship between herself and Arthur Clennam and demonstrates the grim effects of imprisonment on those within as well as those beyond but whose lives are inextricably intertwined. |
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Mary Barton |
Elizabeth Cleghorn Gaskell (1810 - 1865) |
Mary Barton is a millworker's daughter who comes into contact with the son of a wealthy family. She must decide between her devoted lover and the possibilities of joining a middle class family. The book explores the British lower classes' frustration, the false sense of class mobility of the 1800s, at a time when the working class were not able to vote. Much of this novel is autobiographical, incorporating incidents from Gaskell's own life. |
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No Name |
Wilkie Collins (1824 - 1889) |
When published in 1862 it was condemned by critics as immoral, today it is regarded as a novel of outstanding social insight. It is the story of two sisters, Magdalen and Norah, who discover that their parents were not married at the time of their birth and that they are, therefore, illegitimate. They are disinherited and expelled from their family estate. They either adapt to their new station in life, or attempt to recover their wealth by any means... |
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Nostromo: A Tale of the Seaboard |
Joseph Conrad (1857 - 1924) |
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Our Mutual Friend |
Charles Dickens (1812 - 1870) |
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Phaedrus |
Plato (427BC - 348BC) |
Written as a dialogue between Socrates and Phaedrus, the subject within Phaedrus (370B.C.) appears to be that of love - love in its proper form as well as love erotic. Widely considered to be one of Plato's greatest works. Profoundly Plato. |
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Protagoras |
Plato (427BC - 348BC) |
Set in dialogue form, the main players in this work are a young Socrates and an elderly sophist, Protagoras. Unusual to Plato's works, Protagoras also employs a cast of many others in the dialogue. In it, Plato once again explores the concept of virtue and whether or not it can be taught. Is virtue actually knowledge? And if so, can knowledge not be taught and thus also virtue? |
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