Little Dorrit  |
| Charles Dickens (1812 - 1870) |
The writings of Charles Dickens were often critical of society and government. This satire, Little Dorrit was also an outlet for Dickens' opinion of prison, particularly debtor's prisons. There people (including Dickens' own) who failed to pay their debts were imprisoned, paradoxically unable to work, until the debt was repaid. The story of Little Dorrit (whose father is imprisoned for debt) tells of the courtship between herself and Arthur Clennam and demonstrates the grim effects of imprisonment on those within as well as those beyond but whose lives are inextricably intertwined. |
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| Manon Lescaut |
| Abbe Prevost (1697 - 1763) |
Tells the story of Chavalier des Grieux's ill-fated love for the beautiful but mercenary and immoral Manon. From a heady and passionate beginning Des Grieux soon find himself struggling to support Manon's taste for luxury. Manon cannot live within Des Grieux's means, but cannot bring herself to leave him. It was controversial in its time and was banned in France upon publication. Despite this it became very popular and pirated editions were widely distributed. |
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| Notes on Life and Letters |
| Joseph Conrad (1857 - 1924) |
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| Phaedrus |
| Plato (427BC - 348BC) |
Written as a dialogue between Socrates and Phaedrus, the subject within Phaedrus (370B.C.) appears to be that of love - love in its proper form as well as love erotic. Widely considered to be one of Plato's greatest works. Profoundly Plato. |
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| Sylvia's Lovers |
| Elizabeth Cleghorn Gaskell (1810 - 1865) |
Charming Charley Kinraid, harpooner, captures the heart of Sylvia but is then press-ganged into service to fight Napoleon. Her cousin, Philip Hepburn, has designs on Sylvia and is not above withholding vital information to get his way. Thus is the stage set for disaster... |
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| Tales Of Hearsay |
| Joseph Conrad (1857 - 1924) |
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| The Aspern Papers |
| Henry James (1843 - 1916) |
One of James' best-known and most acclaimed longer tales follows an un-named narrator as he goes to almost any lengths to obtain a dead poet's papers and letters from his widow. James lovingly creates a Venice where the unexpected seems an everyday occurrence and the unrelenting tension mounts until the final page. |
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